|
Charlie’s Choice
Weekly Tips to Help You Write,
Publish & Promote Your Books
WRITING YOUR BOOK:
AN OVERVIEW AND SUMMARY OF EARLIER COLUMNS
This week’s retrospective column is a refresher on what we have learned about writing in several preferred genres. It is the second in the series of three summaries as we approach the end of the year and begin anew in 2009.
On March 26, we began our segment on writing advice and tips with a discussion of the novel. Throughout the month of April, we covered structure, character building, description and dialogue. One of the more important columns appeared on April 2nd in which we looked at ways to structure your novel.
The essence of that discussion was understanding the function of the scene and its roller coaster flow of challenge, conflict, tension, relief as the protagonist struggles to overcome obstacles on the path to achieving his/her final goal as presented in the opening paragraphs of the book.
The column stresses the importance of motivation to make every action of every character throughout the book realistic and believable. There must be a reason for the character to act in a certain way, and those clues must be buried in the text well in advance of the specific action. In fiction, there can be no coincidences.
When creating powerful characters, it is necessary to understand them intimately, and we suggested a process of interviewing your fictional characters just as you would a live person and charting each and every characteristic. We also stressed how important it is to design defining characteristics for all of your major people, giving them a positive identification for the reader to remember.
Also key to defining your characters was the discussion of dialogue and carefully selecting a mode of speech that matches the overall essence of the character. The importance of detail in description was emphasized as we try to immerse the reader into the scene and make him/her feel comfortable with the setting and with the fictional people you draw. We also talked about the marked difference between “showing” and “telling.”
Crafting a Nonfiction Book
We opened the month-long discussion of nonfiction writing on April 30 with an overview of the importance of selecting a topic in which you have a strong interest since you will be “married” to that book for an extensive period. We reviewed the importance of specialization and niche targeting.
The principal elements of a nonfiction book that we looked at are coherence, pacing, rhythm, style, description and accuracy. Just as a novel must flow smoothly, so the nonfiction book must move the reader compellingly but gracefully through its pages. In the case of a how-to book, we suggested you follow the prescription used in instructions that accompany a “do it yourself” project, and lead the reader step-by-step through the process.
Never forget that “content is king” in nonfiction. Obviously, the elements we spoke of in the last paragraph are key to creating a readable book, but the reason a reader selects a nonfiction work is to gain information. That calls into play a real effort at research and planning as you develop the book.
The May 7 column poses five very basic questions that you must answer as you think through your decision to craft a book. Using your answers as a road map, you can now begin researching the subject to complement the information you already possess. But first review a copy of Books in Print to ensure that the approach (or hook as we call it) you plan to use is fresh and not previously exhausted by others authors.
Reference librarians are unbelievably effective as you plan your research program. They have a huge fund of knowledge and know where to point you when you need more information. You may prefer to conduct your research on your home computer. The Internet offers an almost inexhaustible collection of facts, figures, trends and other information.
One thing you must remember is to be exacting in the words you use when referencing search engines. No generalities. Use specific keywords to bring up the info that is pertinent to your topic. For example, if you are writing about early spring flowers, don’t enter “gardening” as a key word. It is far too general. Home in on “spring flowers,” “early spring blossoms” or look up specific types like “hyacinths,” “daffodils,” etc.
It is as important to plan your efforts at research as it is to plan your book. Don’t ever be afraid of collecting far more info than you can possibly use. Exploring different aspects of your subject may possibly open the door to a fresh new approach that you never considered.
Carefully sort the information you gather, discarding whatever you feel is extraneous to your immediate subject. Segment the information you keep into specific aspects of the topic. This effort will more than pay you back for the effort you expend. Done properly, it will almost create a framework for your book and make writing so much easier.
Targeting a Niche
In this age of specialization, it is important to become recognized as an expert in a given subject. We call this “branding.” It is little different from the branding on cattle used to identify their ownership. In our case, branding identifies us as experts in a given field of interest. You will find that journalists will begin to contact you for guidance and comments when they are writing about your specialty.
In terms of selling your work, it is often far more effective to zero in on a specific category of reader than to utilize a shotgun approach and attempt to reach a broad cross section of readers. The key is to target those people who have a particular interest in a given subject and therefore are strong potential purchasers.
Selecting a niche is very much a part of planning your book that we spoke about above. It is likely that once you are established with the first book, you will want to go on and expand your writing with articles and future books in that specialty.
Several columns published in the July blogs are devoted to the specialties of writing a memoir and crafting travel stories. These are both a great deal of fun to write. They are similar because they both draw on specific events you have experienced, although, of course, writing a memoir will be a far more extensive challenge than creating the story of a single travel adventure.
In June we discussed freelance article writing and the specialty of business (or commercial) writing, both in-house on a contract basis or as a freelancer.
Now that we have summarized coverage of two of the three major categories (writing and promotion), we’ll turn our attention next week to refreshing your recollection of the many columns that were produced on the complex subject of publishing your work. That will round out the year as I explained last week and allow me a breather over the holiday week to plan for 2009.
See you in a week.
Keep Writing!
Technorati Profile
|